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Movie Review: Madharaasi (2025) – A Murugadoss-Sivakarthikeyan Collaboration

Movie Review: Madharaasi (2025) - A Murugadoss-Sivakarthikeyan Collaboration

Director: A.R. Murugadoss Cast: Sivakarthikeyan, Rukmini Vasanth, Vidyut Jammwal, Biju Menon, Vikranth, Shabeer Kallarakkal Genre: Psychological Romantic Action Thriller Rating: ★★★☆☆ (3/5) Published for: www.nriglobe.com

Introduction

“Madharaasi” (also spelled Madharasi), directed by A.R. Murugadoss and starring Sivakarthikeyan, hit theaters on September 5, 2025. This Tamil-language psychological romantic action thriller marks the first collaboration between Murugadoss, known for high-octane films like Thuppakki and Ghajini, and Sivakarthikeyan, a versatile actor riding high after his 2024 successes. With a stellar cast, Anirudh Ravichander’s music, and a hefty ₹200 crore budget, the film promised a gripping tale of crime, love, and psychological turmoil. Does it live up to the hype? Let’s explore.

Plot Overview

“Madharaasi” follows Raghu (Sivakarthikeyan), an ordinary man drawn into a dangerous gun-smuggling syndicate flooding Tamil Nadu with illegal weapons. Caught between a relentless police officer and the syndicate’s schemes, Raghu’s life spirals when his lover, Malathy (Rukmini Vasanth), becomes a pawn in the criminals’ game. Complicating matters is Raghu’s fractured psyche, which unleashes a violent alter ego when pushed to the edge. The story weaves action, romance, and psychological drama as Raghu battles both external threats and his inner demons.

Performances

Sivakarthikeyan shines as Raghu, delivering a layered performance that balances vulnerability and intensity. His portrayal of a man grappling with a split personality is compelling, though some scenes feel restrained compared to his recent work in Amaran. Rukmini Vasanth, as Malathy, brings charm but is limited by a thinly written role that leans heavily on clichés. Vidyut Jammwal, reprising his antagonist roots from Murugadoss’s Thuppakki, delivers a menacing performance, though his screen time feels underutilized. Supporting actors like Biju Menon and Shabeer Kallarakkal add depth, but their characters lack sufficient backstory.

Direction and Screenplay

A.R. Murugadoss’s signature style—punchy dialogues, intense action, and a socially relevant plot—is evident, but Madharaasi doesn’t reach the heights of his earlier classics. The first half is engaging, with a solid mix of action and romance, but the second half loses momentum, bogged down by a predictable love story and uneven pacing. The psychological angle, while intriguing, feels underexplored, with Raghu’s mental struggles overshadowed by action sequences. The screenplay’s attempt to juggle multiple genres results in a narrative that feels ambitious but disjointed.

Cinematography and Music

Sudeep Elamon’s cinematography captures the gritty underworld and scenic Tamil Nadu locales with flair, enhancing the film’s visual appeal. The action sequences, choreographed by Kevin Kumar, are a highlight, offering well-executed, high-energy moments. Anirudh Ravichander’s background score is electrifying, particularly during action scenes, though the songs are not as memorable as his previous collaborations with Sivakarthikeyan. A. Sreekar Prasad’s editing keeps the film crisp, but some transitions in the second half feel abrupt.

Strengths

  • Action Sequences: Murugadoss delivers thrilling, well-choreographed action that keeps you hooked.
  • Sivakarthikeyan’s Performance: His portrayal of Raghu’s dual nature is a standout, showcasing his range.
  • Visuals and BGM: Stunning cinematography and Anirudh’s score elevate key moments.
  • Social Commentary: The gun-smuggling plot adds a relevant layer, though it’s not fully explored.

Weaknesses

  • Uneven Pacing: The second half drags, with the romantic subplot diluting the thriller elements.
  • Underdeveloped Characters: Supporting roles, including Rukmini Vasanth’s, lack depth.
  • Predictable Writing: Some scenes feel formulaic, missing Murugadoss’s usual sharp narrative edge.
  • Mixed Execution of Psychological Themes: The split-personality concept is intriguing but not fully realized.

Audience and Social Media Buzz

Social media reactions on X are mixed. Some fans praise the film’s action and Sivakarthikeyan’s mass appeal, with comments like “Superb action entertainer! Stellar cast, awesome visuals” and “Verithanamana interval block!” Others criticize the weak love story and lack of emotional connect, with one user noting, “No emotional connect, worst love portion, some good action sequences.” Another review called it “unbearable” due to “lacklustre writing” and “over-the-top presentation.” Early reviews, such as one from an industry insider calling it a “triple blast” of Murugadoss, Anirudh, and Sivakarthikeyan, boosted hype, but online booking trends suggest lukewarm audience response, possibly due to Murugadoss’s recent box-office disappointments.indiatvnews.comlivemint.comtimesofindia.indiatimes.com

Why Watch Madharaasi?

“Madharaasi” is a high-energy action thriller that showcases Sivakarthikeyan in a bold, intense role and offers Murugadoss’s trademark mass appeal. While it doesn’t match the brilliance of his earlier works, it’s a decent watch for fans of action-packed dramas. The film’s visual grandeur and Anirudh’s score make it enjoyable on the big screen, but its flaws prevent it from being a blockbuster. Amazon Prime Video has secured its OTT rights for post-theatrical streaming.

Final Verdict

“Madharaasi” is an ambitious but flawed action thriller that delivers thrills but stumbles in execution. Sivakarthikeyan’s performance and the film’s action sequences are its biggest strengths, but a weak second half and underdeveloped themes hold it back. It’s a one-time watch for fans of the Murugadoss-Sivakarthikeyan combo, but don’t expect a game-changer.

Recommendation: Catch it in theaters for the action and visuals, but temper expectations for a cohesive narrative. Ideal for action enthusiasts and Sivakarthikeyan fans.

Published by: www.nriglobe.com Review Date: September 5, 2025

Note: This review is based on available information and critical analysis of the film’s reception as of September 5, 2025

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